blastedheath:

Óscar Domínguez (Spanish, 1906-1958), Figura. Oil on wood, 41 x 33 cm.

blastedheath:

Óscar Domínguez (Spanish, 1906-1958), Figura. Oil on wood, 41 x 33 cm.

blastedheath:

Cuno Amiet (Swiss, 1868-1961), Vorfrühling auf der Oschwand [Early spring in Oschwand], 1944. Oil on canvas, 50 x 61 cm.

blastedheath:

Cuno Amiet (Swiss, 1868-1961), Vorfrühling auf der Oschwand [Early spring in Oschwand], 1944. Oil on canvas, 50 x 61 cm.

mountainhousestudios:

Gina Litherland

mountainhousestudios:

Gina Litherland

(via portermoto)

(via Art And Ecstasy: An Interview With Artist Sara Falli | PAS UN AUTRE)

(via Art And Ecstasy: An Interview With Artist Sara Falli | PAS UN AUTRE)

(via sylvia taylor prints)Sylvia Taylor, “I Denied Everything”, relief print

(via sylvia taylor prints)Sylvia Taylor, “I Denied Everything”, relief print

dcptvlysmpl:

Heather Leigh Mcpherson studio view (image: Two Coats of Paint)

dcptvlysmpl:

Heather Leigh Mcpherson studio view (image: Two Coats of Paint)

(via ohgravy)

Jonathan  Adams Bartlett

Jonathan Adams Bartlett

momalibrary:

New to us - a catalog from 1994 exhibition at the Fukuoka Art Museum, “Rickshaw Painting: Traffic Art in Bangladesh,” an amazing survey of paintings done to decorate rickshaws. We’ll post some more pics b/c it’s so great.  -ds 

momalibrary:

New to us - a catalog from 1994 exhibition at the Fukuoka Art Museum, “Rickshaw Painting: Traffic Art in Bangladesh,” an amazing survey of paintings done to decorate rickshaws. We’ll post some more pics b/c it’s so great.  -ds 

rdtextiles:

Osage Steps  hand woven wall hanging made using all natural dyes.  osage/cochineal/tea stain
linen/silk/cotton/wool/bamboo
the variation in color is made by dyeing different types of fibers in one dye bath and letting the natural dye react differently with each

rdtextiles:

Osage Steps  hand woven wall hanging made using all natural dyes.  osage/cochineal/tea stain

linen/silk/cotton/wool/bamboo


the variation in color is made by dyeing different types of fibers in one dye bath and letting the natural dye react differently with each

(via neuboheme)

workman:

treebystream:
kiki smith - collage & ink on nepal paper - three

workman:

treebystream:

kiki smith - collage & ink on nepal paper - three

(via annamariapotamiti)

markagoodwin:

Moving Up  2010

milk paint and gouache on folded paperhttp://markagoodwin.com/wp-content/uploads/2012/03/MarkGoodwin_Wanderlust_catalog.pdf

markagoodwin:

Moving Up 2010

milk paint and gouache on folded paper

http://markagoodwin.com/wp-content/uploads/2012/03/MarkGoodwin_Wanderlust_catalog.pdf

cinoh:

kourpour:
All The King’s Horses, And All The King’s Men, 2013
Acrylic on canvas over panel96” x 72” 

cinoh:

kourpour:

All The King’s Horses, And All The King’s Men, 2013

Acrylic on canvas over panel
96” x 72” 

rustypatch42:

Paul Klee. Architectural Review v.120 n.716 Sep 1956: cover

rustypatch42:

Paul Klee. Architectural Review v.120 n.716 Sep 1956: cover

(via beverleyshiller)

Alain-Fournier, “The Wanderer” (from Deth Sun) Cover art by Edward Gorey

Alain-Fournier, “The Wanderer” (from Deth Sun) Cover art by Edward Gorey

wasbella102:

Ceramic Squat Oinochoe Greece, Corinth, 590-570 B.C. Height: 21.59 cm
manticoreimaginary:

wasbella102:

Ceramic Squat Oinochoe
Greece, Corinth, 590-570 B.C.
Height: 21.59 cm

manticoreimaginary:

(via beverleyshiller)